Sunday, September 16, 2007

Who will answer?

FROM BabyBlueOnline.org:

I've been reticent about posting a review of Harry Potter and the Deathly Hallows, knowing that many here in the cafe have not yet read the book and did not want to spoil it for them.

If you have not read the book - and plan to - please close your eyes and scroll down. I want to raise an issue or two with those of you who have read the book.

I have been a fan of the series by J.K. Rowling from the moment I read my first book, which was actually the third one in the series, the Prisoner of Azkaban. I had put off reading the books for quite a long time, even know different members of many family gave me copies and told me over and over again how much I would love the books. I finally saw the first two movies and then picked up the third book and that was that.

I am the author of the opening essay of a book called The Plot Thickens, which is still available through Borders, Amazon, and Barnes & Noble. It is a series of essays on the Harry Potter series through the fifth book. My essay is called "Iceberg Ahoy: Why the New York Times Should Restore Harry Potter to the Best Seller List." In fact, the Harry Potter series had dominated the New York Times Best Seller List for so long that other authors and publishers were complaining (everyone wants to have #1 New York Times Best Seller on their dust jacket) and so the New York Times created a "Children's List" and stuck Harry Potter over there. But many of us who are adults and had read the series realized that this was far more than children's books. They are accessible to children in some ways, but now that we have come to the end of the series it is clear that there is an entirely new world underneath the one known to children. Like an iceberg, Jo Rowling reveals the top portion to her readers, but it what is underneath the water that really matters.

Over the years I have joined reading groups and study groups and even taken courses online on the series. I've met many other fans of the books who have enjoyed unlocking the mysteries in the series. But, until very recently, I was often alone in discussions when delving into what looked more and more like Christian mysteries in the book - by the time we had all finished the sixth book, The Half Blood Prince, it seemed to me that we had another modern-day Inkling on our hands. That view was rarely shared and if it was discussed, it was often in hushed tones. The "religion" factor of the series was either neglected or overlooked.

There are some major exceptions to this and chief among them is the author John Granger, who wrote among other books on the series, "Finding God in Harry Potter." He is the moderator of HogwartsProfessor.com and he is chiefly responsible for unearthing all the Christian-style alchemical symbols throughout the book. There are others who follow in similar ways and many of them can be found at HogwartsProfessor.

In the past few months I've read lots of commentary on the books, listened to many podcasts on the books, and have listened to others talk about the books. Well, sort of. What is striking me now is how quiet things have gotten - and how quiet they got soon after the books came out.

Jo Rowling had warned us that many may not like how the book concludes (and I'm not talking about the Epilogue, but the final battle at Hogwarts). Christian imagery is all over those closing chapters, especially in terms of such weighty topics as substitution, sacrifice, redemption, repentance, and judgment. Strong orthodox understanding of classical Christianity have their marks not only all over the series, but all over the closing chapters of the final book.

I have listened and read many commentaries that are filled with the struggles readers are having over understanding what happens to Harry during the Battle of Hogwarts. There is a certain discomfort that in order to really discuss those closing pages, one is going to have to discuss classical Christian theology. The book is immensely theological and now millions and millions of people have read the book.

One of the big questions - and one of those questions that many seem hesitant to ask is - what is the theological significance to being "cover by the blood?" Christians sing about it, they participate in Eucharists, and they certainly read about the power of the blood, being covered by the blood. But what does it mean and what affect does it have on us?

What I am finding now, as the weeks go by, is silence. When the sixth book came out the response was deafening. We could point to the fact that we were left with some significant mysteries and those mysteries demanded to be solved. The series has now concluded and all is wrapped up - or is it?

There are some significant mysteries in the final book, but to begin to explore those mysteries will mean diving into significant Christian theology - not liberal progressive theology, but the orthodox kind, the traditional kind, the kind that includes sin, rebellion, sacrifice, and redemption. They aren't just nebulous themes, but are key to understanding the series. We see in these books that Jo Rowling did more than just skim through the books of CS Lewis. In fact, it seems she has read more than just The Lion, the Witch, and the Wardrobe. It appears she may have also at least read The Problem of Pain, The Screwtape Letters, Mere Christianity, and A Grief Observed. If she hasn't, I'd still recommend readers of the series know those books. And Jane Austin as well, another Christian believer, who used satire to comment on - often humorously - on society. Jo Rowling does the same thing.

One person I know has just finished reading the book. She had read all the others and we had many fun conversations about the books and the characters. But she is not a believer, in fact, she is rather hostile to Christianity and she will not talk about this book. To secular eyes, how shocking is the book? Should secularists be worried? The greatest irony of the books is that for a long time the wrong people were upset.

There does seem to be a strange silence over the series - that may be challenged soon as Jo Rowling arrives in America for a book tour. She was asked once - and by a child, not the secular media, about her faith. By the time she gets here, though, more people will have actually read the book, had time to think about it, talk with others about it, and question the mysteries in it that are quite profound in ways that all the other mysteries of plot and character pale in comparison. Perhaps that is why Jo Rowling has made no secret of her admiration for Dorothy Sayers, another honorary Inkling, who saw mystery writing as a particularly "Christian" genre. Jo Rowling seems to have followed - more significantly and more profoundly - in her footsteps. In this mystery genre (which is far more what the series is then a simple series of children's stories) we learn about great Christian theological concepts such as generational sin, blood sacrifice, redemption, suffering, death, atonement, the human soul, immortality, heaven, hell, and the particular power of agape love. There are many many more. Having read the final book, what does it mean then to sing this Gospel song:

Would you be free from the burden of sin?
There's power in the blood, power in the blood;
Would you over evil a victory win?
There's wonderful power in the blood.

There is power, power, wonder working power
In the blood of the Lamb;
There is power, power, wonder working power
In the precious blood of the Lamb.

Would you be free from your passion and pride?
There's power in the blood, power in the blood;
Come for a cleansing to Calvary's tide;
There's wonderful power in the blood.

There is power, power, wonder working power
In the blood of the Lamb;
There is power, power, wonder working power
In the precious blood of the Lamb.


The final sentence of the book is "All was well." It caused me, as I've written all ready over at Shell Cottage about this particular hymn. I write there:

What's come to my mind has been the hymn, It is Well, since it is about all being well in the midst of great suffering. Written by a man who lost his children at sea, he returns to the place where they were lost and writes:

When peace like a river, attendeth my way,
When sorrows like sea billows roll;
Whatever my lot, Thou hast taught me to say,
It is well, it is well, with my soul.

It is well, with my soul,
It is well, with my soul,
It is well, it is well, with my soul.

Though Satan should buffet, though trials should come,
Let this blest assurance control,
That Christ has regarded my helpless estate,
And hath shed His own blood for my soul.

My sin, oh, the bliss of this glorious thought!
My sin, not in part but the whole,
Is nailed to the cross, and I bear it no more,
Praise the Lord, praise the Lord, O my soul!

It is well, with my soul,
It is well, with my soul,
It is well, it is well, with my soul.

And Lord, haste the day when my faith shall be sight,
The clouds be rolled back as a scroll;
The trump shall resound, and the Lord shall descend,
Even so, it is well with my soul.

It is well, with my soul,
It is well, with my soul,
It is well, it is well, with my soul.

-Horatio Spafford 1873


Since so much of Deathly Hallows, and the Harry Potter series is about the state of Harry's soul. When we finally get to the closing, we learn that - through the immense amount of suffering and pain that Harry Potter has endured - now all was well. His soul was restored to wholeness - he was healed.

These are topics, issues, subjects, themes of great spiritual and theological depth. It seems to me that a great opportunity is before all of us who have read the Harry Potter series - now is a season to ask questions. Millions have read the books and have questions - who will answer them?

NOTE: I continue to post over at Shell Cottage. Please feel free to drop by for a cup of tea. In my opinion, Harry's visit to Shell Cottage is the turning point of his entire life. We'll write on that topic soon, perhaps while we're waiting for word from the Bishops of the Episcopal Church.
Chapter Seven: The Will of Albus Dumbledore



4. In one of the few moments in the entire book, there is some focus on Harry and Ginny’s relationship in this chapter. After interrupting a kiss between the two, Ron berates Harry for “messing her around”. Was Ron justified in this argument, knowing what Harry had to do to defeat Voldemort, or was this a just a case of an overprotective older brother? Do you think Ginny’s other brothers would have had the same reactions?

It is interesting to compare Ron's reaction to Harry kissing Ginny to his earlier reaction to Ginny kissing Dean. I think Ron, while he may be clueless about women, gets it. In the earlier incident, Ron explodes at Ginny because I think he knew exactly what she was doing. Ron is right in that scene about what Ginny is doing (but oversteps his role as her older brother). He targets Ginny not Dean. He knows who has the real power in that relationship, and it's Ginny. He may also know that Ginny does not love Dean and he's basically recognizing the same behavior in his sister that he will later display himself with Lavender. How much Ron is aware that Harry is taking interesting in his sister is not really known, but it is possible that he is picking up on it. The irony is that Ron goes off and does the same thing Ginny is doing in his own attempt to make Hermione jealous.

In this scene, Ron switches sides. He doesn't go after Ginny as he did before, blaming her for leading Harry on. He assumes that Harry has the power in the scene, though we know that it was Ginny who took the initiative. Why did Ron switch sides and blame Harry for messing with Ginny? Again, it could be that we are able to get a deeper insight into what is going on with Ron. Ron is in love with Hermione, but has not been able to express his love to her. Now he finds Harry, who has made it quite clear he is not going to be pursuing Ginny, doing that very thing. Of course he's going to explode at Harry - some of it may be an expression at his own frustration in not being able to follow through with his own desires for Hermione. The other thing is that Ron may believe in his heart that Harry is not going to survive and that this is a cruel thing to do to Ginny to get her hopes up that they will have a future, when Ron (and not without merit) may believe it is unlikely Harry will survive their ordeal. We get a twist on that later when Ron and Hermione finally do follow through with the desire of their own hearts and Ron makes the humorous comment of basically it's now or never.

5. When Lupin and Tonx arrive at Harry’s birthday party, Harry notices that Tonx looks “radiant” while Lupin looked “unhappy”. Later, as the Minister of Magic arrives, the pair leave quickly, saying “We shouldn’t be here”. Given that Tonx is a Ministry employee, it seems odd that she shouldn’t be around the Minister. What did you think of their behavior and Lupin’s statement?

I had suspected that Tonx might be pregnant because of the way she looked at Remus when she arrived back at the Burrow following Harry's escape from Privet Drive. We have learned through her Aunt Bellatrix that her marriage to Lupin is considered to be disgusting in Wizarding Society (a view not just held by Slytherins). That view is similar to the view held, even to this day by some, of interracial marriages. Such marriages were shunned by society, black and white. For a long time those marriages were even illegal. Often those who would defend the bigoted view would use as their defense "what about the children" and how such children would suffer in society. We learn that even Tonk's parents are not happy about the marriage and of course later on we see that Tonx is targeted by her aunt personally because of what she's done.

What we see here, then, is that the couple have risked everything to marry and while Tonx doesn't seem to care, Remus - who has lived with his condition nearly his whole life - knows exactly what this means and he does love her. He does know what suffering comes not only to his wife, but to their child. Tonk's happiness and Remus' unhappiness are both born from their love for each other, showing itself in different ways.

If the Ministry finds out that Tonx is pregnant it is not clear what the Ministry might do about it - but we can imagine what might happen and so they flee. I had not thought, until I read the other comments here, that Tonx may have been sacked from her job as an Auror. Certainly the Minister of Magic is her former boss since he was the head of the Auror Department. We are seeing evidence of a subplot between Scrimgeour and Tonx - who might be made an example of what happens when one breaks the rules, written and unwritten. If we draw the parallel between Tonx and Remus' marriage and interracial marriages in the past (and in some places still today) we may see why the bigotry goes so deep.

We can also imagine that in the past Scrimgeour and Tonx have had to deal with Greyback in their roles as Aurors and Remus Lupin is an exception as to what the Wizarding World sees as what happens to people when they become a werewolf. Werewolves are a threat to society - and to children in particular - and one could make the case that from Scrimgeour's point of view, Tonx has betrayed the trust placed in her when she became an auror.

Finally, they are both known to be in the Order of the Phoenix and their allegiance lies elsewhere and not with Scrimgeour. He may see this as a threat to his own authority. This is supposed to be happy day for Harry and the last thing Remus and Tonx would want to do is spoil the party. And so they flee.

Wednesday, September 12, 2007

Posted at Hogwarts Professor:

I believe J.K. Rowling was married in the Scottish Episcopal Church by the Rev Canon Prof J S Richardson. But if she attends the Church of Scotland, well, that’s quite interesting - the Church of Scotland has no bishops, unlike the Scottish Episcopal Church which does. The Church of Scotland is Presbyterian - John Knox and all that.

She went to a Church of England school when she was young, but I’m not sure it was the happiest of her experiences. The former Archbishop of the Scottish Episcopal Church was pretty radical - much more in line theologically with the American Episcopal Church. In fact, the Scottish Episcopal Church is very much like the American Episcopal Church in theology and politics. It is very progressive. The same cannot be said for the Church of Scotland.

There are also some cultural differences between to the two churches, especially in relation to the Scots (and their relationships with the English, even to this day). These cultural differences are in addition to the theological and political differences between the two denominations.

The Scottish Episcopal Church has been very involved in progressive Scottish national politics - in fact, I think it was one of the sponsoring institutions to bring about the creation of the Scottish Parliament. The Scottish Episcopal Church, from the witness of my friends in Scotland, is fairly burned out and no match for the descendants of John Knox. In fact, one of my friends attempted to go to the local Scottish Episcopal Church but she was a little late and the vicar had locked the front door, even though it was Sunday. His view was if you weren’t there on time, you should go somewhere else.

My guess is still the play is on the first name - Pius (said satirically) - and his “false piety” made him blind to the evil around him, even weakened him to be used by those he should be opposing. That certainly is a problem in the Church today.

ZR

Tuesday, September 11, 2007

Questions raised about Rowlings critical view of the RC Church


Questions are being raised of Rowling's possible criticism of the Roman Catholic Church, and in particular the Pope during the period of the rise of the Nazis in Germany. One of John Granger's posters at HogwartsProfessor raises this question:

During Vold War II the Minister of Magic is Pius Thicknesse. Pius is a rather unusual name. Try this - Pius XII ” Hitler’s Pope.” Kind of fits - His Thickness(e) Pius XII. Anything linking to the number 12? Pius XII rather “thick” in not fully recognizing Hitler’s evil. I’ve followed the thread here on Deathly Hallows regarding Nazi Echoes but have not yet seen anything on this point.

Is Pius Thicknesse a takeoff on Pius XII? I thought not, though I do think that she may be indeed engaging in some serious satire of institutionalism, even in the Church. But I had a different church in mind when I read Deathly Hallows. Here's my response at HogwartsProfessor.com:


The “Deathly Hallows” themselves are reminiscent of bishops vestments and their so-called vestibules of power . The “Invisibility Cloak” is much like the Bishop’s Cope. The Resurrection Stone (and it’s original location in a ring) is like the Bishop’s Ring. And the wand is akin to the crozier, or the staff carried by a bishop.

But a true Christian leader does not find power in those things, and yet so often for the institutional church those “trappings of power” become far more important than what is in the heart. Leaders will seek cover under those “deathly hallows” rather than in the place God looks - the human heart.

Being an Episcopalian/Anglican whose denomination is in a global crisis that appears to be heading for schism - I read between the lines of Rowling's possible criticisms of the institutional church - but I thought of my own, not the Roman Catholic Church as I read. Episcopalians, like Roman Catholics, have many of the same trappings of power where the preservation of the institution trumps the heart of the believer. We have bishops. They may begin with the best of intentions but are often sucked into the vortex of institutional power, especially when their own moral foundations are compromised or lost to the spirit of the age and self-preservation.

But criticism and satire do not necessarily mean hostility to the institution, especially when the criticism comes in the form of satire. In fact, some of the greatest satirists were reformers who sought recovery for the institution, not its demolition.

Institutionalists though, when faced with criticism, often feel threatened by the criticism as though the institution is the same as “the Church.” They seek to protect the institution, finding their identity in it, rather than in Christ. I might venture to say that Rowling may have some criticisms of the institutionalism of the Church (or government), but not in the effort to destroy it (the Ministry of Magic recovers as we learn, it is not destroyed). I found it satirical, but I also found it strangely encouraging. I agreed with her. I just couldn’t believe what I was reading!

I will admit, though, that my thoughts were directed more toward my own “institutional” church and not toward the Roman Catholic Church. Jo Rowling is a Scottish Episcopalian, she too is in the Anglican Communion. I do not know how much she is aware of the crisis in the Communion, but her criticisms of institutionalism (whether it is progressive or traditional) were extraordinary in their timing.

In fact, I am going to the meeting of the Episcopal House of Bishops in New Orleans later this month and I’m taking my copy of Deathly Hallows with me. I expect that I will spend a lot of time out in the hall waiting to hear what the bishops decide to do for the future of the Episcopal Church in the Anglican Communion (and I will be reporting on their deliberations at my blog) but while I wait for word, I intend to spend that time reading Deathly Hallows.

I never expected to find such spot-on criticism/satire that institutionalism does not make one a believer. And in fact, Harry is the Believer - the Seeker - for he recognizes that his power is not found in the institutional trappings of power (The Deathly Hallows), but in pursuing the healing and restoration of the soul.


Saturday, September 8, 2007

From the SugarQuill Boards *

17) What was your reaction when you found out that remorse could help put the soul back together? Did you think that it would come up later in the book? Or that maybe Voldemort was capable of showing guilt?


ME: I was frankly - even though I have been advocating that Jo Rowling was writing from a Christian perspective - shocked. Remorse - or as Christians call it, Repentance - is a key ingredient to "salvation." It's not enough that God might want to save people and then take a hike and watch from His Undisclosed Location. No, Christians believe that people play a part in that salvation (well, a problem with that did lead to the Protestant Reformation, but never mind). Repentance and Confession are key ingredients to being saved. That Rowling would extend this tenet (or I might maintain - truth) to Voldemort was simply astonishing. This wasn't just a "vanquish the enemy and triumph" moment. It was an opportunity for transformation for even the worst, which is at the heart of the Gospel (see Paul, who was no friend of Christians and took part in the stoning of Stephen in Acts). We will Harry see extend Grace. Such things do restore the soul, even in real life.

So we have presented to us in Deathly Hallows that the soul is restored through repentance and acts of grace. That just blows my mind.

Friday, September 7, 2007

Flashback


Wombat 3 was an O.

Outstanding? We still can't quite figure out how we managed that. Here's the story here. More about the WOMBAT 3 is here. Our previous WOMBAT (2) was an E. Weren't sure how we managed that one either, but the last one did us in. We didn't take the first WOMBAT - we believe that came out in March 2006. We don't actually remember March 2006, but trust that it did happen.

The Night Deathly Hallows was released to the world.

We were live-blogging from the Fairfax (VA) Borders. Read all about it here.

Tip of the TeaCup to Sword of Gryffindor


We are long-time fans of Sword of Gryffindor - hint, we also go by the name of ZoeRose. In addition to being one of the authors of the book, The Plots Thickens, we also were part of John Granger's original HP6 class at B&U (we still think there's something funny about Draco and werewolves, but nevermind!). We then joined the original boards at HogwartsProfessor (now a traditional blog) as John Granger wrote his latest books, and we continued writing under the name ZoeRose.

SoG has picked up Shell Cottage. One of the best piece of news about this is to discover yet another Bob Dylan fan - Travis Prinzi!! Hooray - a full round of butterbeer for everyone - on the house. Thanks for dropping by! We created Shell Cottage because our mainblog, BabyBlueOnline.org has so many HP fans who hadn't finished the book (some are missionaries overseas and have to wait for the book to be hand delivered) we didn't know how to run stories without being a big time spoil sport. So, rather than run the risk of spoilers, we created Shell Cottage (and made sure to warn folks before they clicked the link). We've been parking essays we like, essays we've written, and other creative things that catch our eye.

So welcome to Shell Cottage! Get yourself a cup of tea and thanks for dropping by!

PS - Friends, do check out the SoG podcast. We never miss it!

Wednesday, September 5, 2007


Chapter Six: The Ghoul in Pajamas

1)When you first read this chapter, did you really think that the Trio wouldn’t return for their last year at Hogwarts? Until this point, the book has been following a rather familiar pattern of Harry leaving the Dursley’s to spend the remainder of the summer at the Burrow.

I had thought that they would return when I started the book, but it was clear once I saw the Ghoul and the amount of work that had gone in to getting Ron ready to go, that they really were going to go on a Road Trip.

2)When discussing Voldemort and the Ministry, how are Ron and Harry treated by Bill and Mr. Weasley in this chapter compared to how they were treated in Order of the Phoenix? Do you think Bill and Mr. Weasley really feel that they are ready to discuss matters like adults or do they still want to protect them, like Mrs. Weasley?

I think it's clear the Bill and Mr. Weasley understand that Ron and Harry are of age. Mrs. Weasley is a mother hen who protects her children (as we seem demonstrated big time at the book's finale) and she shows her love for them by trying to convince them not to go. I think they understand that too.

3)Mrs. Weasley has seen Harry and her children encounter many dangers throughout their lives—did she really think that her ploy to keep them separated would work?


No, I don't. I think it's her "love language" - it's how she demonstrated her love to her children (and Harry in her mind and heart is now one of her kids). The kids seem to get that too and while they put up resistance it's clear that there is no bitterness or resentment (just frustration). And in fact, we see demonstrated that Mrs. Weasley does let her children go - if they get past her, then obviously they are ready for the world. I mean, we had Bill in Egypt and Charlie in Romania - and the twins never finished school but opened up their store. There are no "Mama's boys" (or girls even) in this family.

4)Ginny is surprised that Harry really is going to leave school and hunt down Voldemort; Harry lets it slip when the two of them are setting the table for dinner (pg. 89, American version). The idea that Ginny might come along is never discussed and Harry is determined to keep her in the dark regarding his plans. Considering how comfortable Harry and Ginny are together, what does this say about Harry’s relationship with Ginny compared to Harry’s relationship with Ron and Hermione?

First of all, Ginny is not of age, she is not an "adult" in the eyes of the Wizarding World, and so she doesn't have the authority (and Harry doesn't have the right to ask her either - then he'd feel the Wrath of Mrs. Weasley). Harry's relationship with Ginny is much more like a husband will be to his wife - he will want to protect her and that would over shadow anything else he'd do. He's in love with her and and he's still very young and inexperienced on how to handle romantic love. They haven't had a full year either in their relationship and so it hasn't gone through all the seasons to develop either, something Harry has had with Ron and Hermione. The have all literally grown up together.

5) Compare and contrast Ron’s plan with Hermione’s plan. Which one seems better thought out? Which one seems riskier? Why didn’t Hermione use a Fidelius Charm, like Harry’s parents used rather than risk not being able to reverse the Memory Charm? What would you have done if you were Ron or Hermione?

I think both plans seem thought-out in their own way, each with major risks. Ron has to figure out how to protect his family and the best way to do that is for Ron to appear to still be at home with a horrible disease. It's an excellent plan, as long as he is never identified anywhere else. Hermione is convinced that her parents will just blend in with everyone else in Australia and it's far enough away that no one will actually go looking for them. If something happens to her, her parents can still live a happy life. It's an extraordinary plan too - and took a great deal of humility on her part that she would be willing to have her parents not even know she exists. But that is also tragic in that they don't even know to think about her - and so outside the Weasleys and Harry, no one really else cares about Hermione. No wonder she took it so hard when Ron left. Both plans were creative and thoughtful. I think I would have asked for advice from Tonx.

6) This is the second time we’ve seen Hermione meddle with a person’s mind—the first being Cormac McLaggin, the second being her parents. Is what Hermione is doing unethical? Do you think she finds any part of Memory Modifying ethically sticky—or can she justify it? In what other instances have we seen a rather ruthless Hermione and were her actions justifiable or not? What do you feel about Memory Modification? Is it ever really a positive thing?


I think she thinks its extraordinarily humane - she really is thinking not of herself (except that she doesn't want her parents killed) but what would be best for her parents. I am sure her parents would think very differently - she did the thinking for them. An who wouldn't want to live in Australia for a while?

7) Just for fun—do you think Mr. Weasley ever got Sirius’s bike up and running? Do you think he ever took Mrs. Weasley for a moonlit ride on it?

Yes, yes! Of course he did! I am sure he did. My guess is that instead of taking Mrs. Weasley out, he may have loaned it to George for a while. That's what I would have done. And I can bet that George would have "improved" it before turning it over to Harry.

8) Several times in the past, Harry has tried to talk his friends out of coming with him on his adventures. Why is Harry so unable to accept help from people?

For his entire life he has had to be self-sufficient to survive. There is core to him that still believes all the things the Dursley's said to him when he was a child. He does not want to trouble others, he doesn't not want to be a bother, he feels that it's his responsibility to handle it. And he does have survivors guilt. His mother paid the ultimate price to save his life - that's a lot to live down. And I think it also - which of course, Voldemort figured out - gave him a sense of accomplishment when he could save others as he was saved. It was like making his mother's sacrifice worth it.

9)When you heard about the method used to destroy a Horcrux, what was your first thought? Did you think at some point the Trio would venture back to the Chamber of Secrets to see if there were any leftover basilisk fangs hanging around? What did you think were some of the other magical methods of destroying Horcruxes?

I did not think of the Chamber of Secrets because I assumed the snake was long gone and nothing was left. I could not figure out how they would destroy the horcruxes. That was one of the surprises of the book for me.

10) Many Death Eaters torture and kill just for fun and murder is part of the process of creating a Horcrux; are you surprised that none of them have at least one spare Horcrux around? Many of them come from old pureblood families that could potentially have access to this type of magic—are you surprised that Bellatrix or Lucius does not have a Horcrux “life insurance” policy? What does this tell you about Voldemort compared to his followers?

He did not value his soul as a whole. He was totally abandoned and unloved - he never knew love. Even the Death Eaters had known some love, even Bella. What bit of love they knew must have kept them from even considering such a vile act. But of course, this is also why the Death Eaters were so fascinated by Voldemort. He really was evil. He didn't just do evil things, there was something more corrupt about him, that evil possessed him. Even the Death Eaters seemed to have choices, though they most often made the wrong ones - sometimes, like Lucius and Narcissa and Draco Malfoy - their capacity to still love caused them to choose differently, even in spite of themselves.

11) Admit it—you gave a little (word that Cap'n Kathy hates) of joy when you saw Hermione pull out Hogwarts, A History! Did you think it would help play a role in the plot at all?

No, I didn't. But how could she leave home without it?

Tuesday, September 4, 2007

The following was posted over at the Cafe:

Some of you who are regulars here at the Cafe have told me that you have finished Deathly Hallows. Especially you, ElfGirl - who had to have her copy hand delivered to her Undisclosed Location!

Still, we know there are a few out there who haven't finished and we so we continue to post over at Shell Cottage and keep the Cafe as spoiler-free as possible. I've joined an online study of the book and will be publishing some of my answers to the weekly questions asked at the study over at Shell Cottage. I've posted some other things of interest I've found - the artists in particular have been busy expressing their own commentary through art. In fact, there are lots of ways people share their thoughts and ideas about the Harry Potter series. I prefer the creative essays, but some write fiction and some make videos and some draw some of the most amazing art. My favorite places to read commentary are at SugarQuill where they are going through the book chapter by chapter, Leaky Cauldron's "Leaky Lounge" where they are also discussing the book, and New Clues, where you must stick to the canon (which is the books written by J.K. Rowling), Sword of Gryffindor, HP Progs, and of course John Granger's great blog at Hogwarts Professor.

The Leaky Cauldron, MuggleNet, Sword of Gryffindor, and HP Progs and I recommend them. They are all available at also have great podcastsiTunes. One of the best things about the Leaky Caludron's "Pottercast" (beside the trio-hosts there) is guest Steve Vander Ark, the Master of the HP Lexicon who joins the podcast for the weekly feature "Canon Conundrums." Those of us who have been fans of Star Trek will recognize Steve's name, but Steve also hosts one of the most extraordinary places anywhere to go to learn about the Harry Potter universe, the Lexicon. Even J.K. Rowling goes there when she has to remember something. But please remember, it's also "spoiler-central" so be careful before you go.
Here's another posting I did over at Leaky. This is on the Epilogue:

I've been thinking about that last line in the Epilogue, "All is well," which seems - on first glance - to be so simplistic, a nice, neat, wrap-up. Nothing flourishing, no Great Gatsby-ish ending. Just three words: All is well.

Now some have written about Julian of Norwich and her attributed writings on All is well. But what's come to my mind has been the hymn, It is Well, since it is about all being well in the midst of great suffering. Written by a man who lost his children at sea, he returns to the place where they were lost and writes:

When peace like a river, attendeth my way,
When sorrows like sea billows roll;
Whatever my lot, Thou hast taught me to say,
It is well, it is well, with my soul.

It is well, with my soul,
It is well, with my soul,
It is well, it is well, with my soul.

Though Satan should buffet, though trials should come,
Let this blest assurance control,
That Christ has regarded my helpless estate,
And hath shed His own blood for my soul.

My sin, oh, the bliss of this glorious thought!
My sin, not in part but the whole,
Is nailed to the cross, and I bear it no more,
Praise the Lord, praise the Lord, O my soul!

It is well, with my soul,
It is well, with my soul,
It is well, it is well, with my soul.

And Lord, haste the day when my faith shall be sight,
The clouds be rolled back as a scroll;
The trump shall resound, and the Lord shall descend,
Even so, it is well with my soul.

It is well, with my soul,
It is well, with my soul,
It is well, it is well, with my soul.

-Horatio Spafford 1873


Since so much of Deathly Hallows, and the Harry Potter series is about the state of Harry's soul, Horcuxed infested though it once was, it is now well, it is now whole. He has had his battles of the soul, the dark nights of the soul, and now all is well. The faith written in these lines were written where there had been much suffering, and certainly Harry has known that suffering as well. But the hope he had going through his suffering, covered by the blood as he was as well, has brought him to this place of joy. All is well.
I've joined a book club at SugarQuill that's studying Deathly Hallows. I've come in at Chapter Five. I'll post future answers here as well. Here are my answers to the questions asked for Chapter Five:

1) The chapter is full of teases about character deaths before the final reveal of Mad-Eye's death. When everyone is waiting at the Burrow for the others to arrive, did you think anyone had not survived? If so, who do you think died?

I worried most for those I had thought would die in this novel. I worried about all the Weasleys so breathed a sigh of relief when they all showed up. I worried about Ron through the entire book. in particular. So that was a constant tension. I worried about Tonx, too - and felt relieved when she arrived, actually crossed her off my target list (oh well). I did not expect that Moody would die so early, though. He did go out in a blaze of glory, though - and now what had seemed to be his paranoia in Order of the Phoenix when he and the other members of Harry's Guard came for Harry at Privet Drive turned out to be accurate after all.

2) Ted and Andromeda try to reassure themselves that Tonx is OK. How did you feel about their reaction, and what is shows about being a parent to an auror? Are they too confident in Tonx' abilities?

As anyone who has family in the armed forces or is a police officer or fire fighter, this is how one has to cope. Each time the family member goes out to sea, or goes to work, or answers the phone - there is always the opportunity that they may not come back. What family members rely on, beside prayer, is knowing that their loved ones are trained well in what they do and that they love what they do. For Tonx's parents, they know that she is well-trained and she loves what she does.

3) Lupin argues that Harry should have killed Stan or stunned him off the broom, but Harry insists it would be wrong to kill someone who was under Imperius. Who do you think is right? What should Harry have done to fend off Stan, now that we know the Disarming Spell alerted Voldemort to his presence? What about the morality of killing the other Death Eaters by stunning them off the brooms? If it's wrong to kill Stan, why is it OK to kill the other Death Eaters, if there are spells to fend them off?

Lupin is right - it was naive of Harry to think that his "childhood" spells should do the trick. But at the same time, war is not just knowing what weapons to use, but how to use them. Harry is engaging (unintentionally though it may be) in psychological warfare - he continually does not do what is expected and that "disarms" his opponents. Harry also shows that he is guided by moral principles in his decision-making processes, rather than his own self-preservation. Lupin is playing the parent-role here, desiring Harry to survive and so to employ tactics that will ensure his survival ("kill before being killed"). But Harry continues to be guided by his heart - and that wins him allies in some of the most unforeseen places as the story unfolds. It is one of Harry's strengths, though it is also obvious that since this is his strength, he will need the help of his friends to succeed since his own self-preservation is not high on his list.

4) It's implied that Ron has killed indirectly, as he stunned Death Eaters off their brooms. Were you surprised that any one of the trio would end up killing in this book? Were you OK with Ron's casualness in dealing with his first kill?

This is an excellent question. I do remember pausing a moment when I read this and thinking, oh my goodness, that Death Eater probably died. We don't really know what Ron must have thought about that - we can only observe what Harry observes about it and Harry doesn't pay that much attention to it, as I recall. The point was not so much over the possible killing of a Death Eater as much as it was defense against someone who wanted to kill all of them. Ron was acting defensively, but it showed that this was the real deal and Ron was facing what aurors face. But yes, I was surprised by the little introspection over the death of even a Death Eater. The circumstances though may have overwhelmed what would happen in a normal situation - and of course, this is not a normal night at the Burrow.

5) As George makes his ear pun, Fred remarks, "Pathetic. With the whole wide world of ear-related humor before you, you go for holey?" For fun, come up with a good ear-related joke you'd have used in that situation.

Eh?

6) Why is Lupin so tense and ear-ritable in this chapter? He is normally the one to restrain himself and control his emotions, even during similarly intense moments (like the DOM battle).

He all ready knows that Tonx is pregnant.

7) What was your reaction to the news of Mad Eye Moody's death? Were you more sad or just shell-shocked?

I was very surprised - he was one guy who could take care of himself and he was one person who understood the danger present. He had sometimes seemed paranoid in the past and it turned out he was right. I knew he'd had a long life and had gone out in a blaze of glory, but I was shocked it happened so soon and so fast.

8) Harry and Lupin argue over whether or not Harry is too trusting. Who do you think is right? Is Harry being too naive to assume no one sold the Order out? Should someone have investigated the matter more fully?

Organizations can become dangerously unhealthy when they start turning inward to root out who is loyal and who is not. Lupin has been betrayed before and so is very sensitive to that happening again, but Harry knows that they can't take valuable time figuring out who might have betrayed them. He is also protecting Hagrid who he knows could have said something without thinking and that is probably consuming his thoughts as well. But Harry isn't going to spend time thinking who may be out to get him. He knows he can trust Ron and Hermione and he knows what his mission is.

9) Why do you think Harry is so trusting of everyone in the Order? After numerous betrayals over the years by people he thought were friends/allies (Quirrell, Tom Riddle, fake Moody, Snape), you would think he'd be just a tiny bit more cynical, wouldn't he?

I think most of his rage is pointed at Snape as being the one who betrayed them all. Later he would doubt Dumbledore's integrity, but in many ways Harry is his mother's son, he looks for the best in everyone, except Snape (with reason) and Snape is the focus of all his feelings about betrayal.

10) Did you think anyone had betrayed the Order? If so, who did you think was the traitor? If not, how do you suppose the Death Eaters found out the correct date?

Yes I was very concerned that there was a snitch in their midst. Throughout the book I kept going over in my mind who it might be. I had found it hard to believe that Mundungas could have cooked up the plan himself and wondered about him, but then we never saw him again and so I forgot about him. I kept expecting another person from the Order or Percy to show up at the Mafoy's but it never happened.

11) Did you think Harry had performed the magic against Voldemort, or did you think the wand itself had fended off Voldemort?

I did think his wand was doing it, but I couldn't fathom why. I thought perhaps another wizard was controlling it, rather than Harry (like Snape, for example, if he was good).

12) What was your reaction to finding out about Ollivander. Surprised, or were you expecting it?

I had thought that Ollivander was taken by the Death Eaters because they needed him in regards to Voldemort's wand. I did not expect him to be still alive or that he would show up in his book. That was a surprise.

13) Harry has his first vision into Voldemort's mind since his visions in OotP. Yet, Dumbledore had told Harry in HBP that Voldemort was using occlumency against Harry, and Harry would no longer need to practice Occlumency himself. How did you react to the discovery that Harry still could connect to Voldemort's mind, after the complete absense of this in HBP? In light of this, do you think Dumbledore should have have trained Harry to learn occlumency in HBP? Is Hermione right to tell Harry to let Voldemort out of his mind?

I had thought that Harry's scar was like a "Scar Cam" and that Dumbledore was performing in front of the "scar cam" for Voldemort's benefit, showing not only Harry scenes from Voldemort's past, but Voldemort himself. I thought it was a bit of "psychological" warfare and that you could read Half Blood Prince as a play set up for Voldemort, and not just an education exhibition for Harry. I had thought that Voldemort was present throughout Half Blood Prince but hidden behind Harry's scar. So I thought that it was Voldemort who did not want Harry to know that he was watching rather than closing the "scar cam" down. Voldemort though must not have been doing this because then he would have been tipped off about the Horcrux Hunt and done more to secure his horcruxes. As it was, Voldemort was becoming obsessed about the wand issue. It appears that Voldemort was still not aware throughout Deathly Hallows that Harry was infiltrating his mind - again, a serious mistake for Voldemort.

The Prince's Tale. The art work is just amazing. "Look ... at ... me."

The Prince's Tale.

Monday, September 3, 2007